BOOKS

 

July 2014

The Gentleman’s Companion, an Exotic Cookery and  Drinking Book (2 volumes) by Charles H. Baker, Jr (1946)

I discovered these two gems at a sale held at my daughter’s school years ago.  They were both in tatters but for the price of a couple dollars they looked interesting.  Anyway, what a find!  Seldom does one encounter such excellent writing anywhere—full of humor and style, brimming with vivid, creative descriptions and sophisticated turns of phrase.

Charles  Baker,  it  appears,  has  always  lived  “the good life”  but upon doing research, I found that this was not the case.   He  was  originally  from  Florida,  apparently  from  an ordinary middle-class background,  and,  after  attending  college,  was  eventually  hired  by Esquire magazine as a restaurant reviewer.  He later married an heiress and thus was able to pursue his love of living “the life of the senses,” to the pinnacle of his considerable abilities.

To whet your appetites for this delightful pair of books, here are the opening paragraphs of the first volume:

 “It was all of fourteen years ago during a first adventure around the world that we made the  agreeable   discovery   that   all   really   interesting   people—sportsmen,   explorers, musicians,  scientists,   vagabonds  and  writers—were vitally interested in good things to eat and  drink;  cared  for  exotic and intriguing ways of composing them.  Diplomats and colonial officials were pungent gourmets.

 “We soon discovered further that this keen interest was not solely through gluttony, the spur  of  hunger  or  merely  to  sustain  life,  but  in  the  spirit  of high adventure.  It was intrigue of the unexpected in herb or spice or sauce; the titillating savour of exotic ways of putting flesh to fire or greens to bowl.

“Sportsmen boasted of a new Malay curry as proudly as they would pelt a ten foot tiger. Explorers  took  the  same  agreeable  thrill  in  discovering  a  succulent  Callaloo  as in exploring the Congo.

“Diplomat, artist, and scientist beamed on a special Black Sea Borscht from Odessa as he might on an international pact; a Brazilian basket of deep fried whole shrimp became as vital as a tube of madder lake to painting a Rio beauty’s shawl; a Tahitian fish salad with lime and coconut dressing took rank with making health contagious instead of grippe.”

March  2014

The Magus by John Fowles  (1965)

 This is another of those books in which you’re never quite sure what is going on.  That was how it was intended.  In fact, people who questioned the author about this subject were given various answers.  Apparently, part of the author’s purpose was to confuse and discombobulate the reader.

 The story, briefly, is about a young English schoolteacher, Nicholas Urfe, somewhat disillusioned, searching—you know the type—who goes to a Greek island to teach. There he meets a local landowner, the ever-more-mysterious Maurice Conchis. 

 Conchis and his companion, a young woman named Lily, engage him in a perplexing game of cat-and-mouse which grows more and more incomprehensible and complicated.  During the course of all this, a former lover, Alison, who both Nicholas and the reader thought had committed suicide back in England, re-appears. Lily, it turns out, has an identical twin sister. 

 I read the book first, then saw the movie,with a young Michael Caine as Nicholas, Anthony Quinn as Conchis, and Candice Bergen as Lily.  I usually recommend seeing the movie first but in this case it doesn’t really matter.  The movie got terrible reviews.  Still, if you like this sort of thing, it will hold your interest.  I liked the book.  As one who enjoys living the Life of the Senses, anything that challenges the imagination and provokes unanswerable questions intrigues me.  And if you are a student of the Tarot you understand the significance of the Magus:  the Manipulator, the Trickster, the Magician.

February 2014

Balthazar  by Lawrence Durrell (1958)

 Balthazar is the second book of “The Alexandria Quartet,”  Justine being the first (reviewed October 2013) by Lawrence Durrell.  It chronicles the doings of the same group of characters as Justine, told from the point of view of Balthazar, the homosexual Jewish physician. It is my least favorite of the four because it contains much ugliness and violence that I found disturbing.  But like all four of these novels, which the author has called, “an investigation of modern love,” it is still somewhat mesmerizing.  My favorite passage in the book, which has given me much food for thought, is the one that follows.  I have always had a fascination with masks, and the idea of a kind of transcendence attained in wearing them that is here described.

 “But what stamps the carnival with its spirit of pure mischief is the velvet domino—conferring on its wearers the disguise which each man in his secret heart desires above all.  To become anonymous in an anonymous crowd, revealing neither sex nor relationship nor even facial expression—for the mask of the demented friar’s habit leaves only two eyes, glowing like the eyes of a Moslem woman or a bear. Nothing else to distinguish one by; the thick folds of the blackness conceal even the contours of the body.  Everyone becomes hipless, breastless, faceless.  And concealed beneath the carnival habit (like a criminal desire in the heart, a temptation impossible to resist, an impulse which seems preordained) lie the germs of something of a freedom which man has seldom dared to imagine for himself.  One feels free in this disguise to do whatever one likes without prohibition.  All the best murders in the city, all the most tragic cases of mistaken identity, are the fruit of the yearly carnival; while most love affairs begin or end during these three days and nights during which we are delivered from the thrall of personality, from the bondage of ourselves.  Once inside that velvet cape and hood, and wife loses husband, husband wife, lover the beloved.  The air becomes crisp with the saltpetre of feuds and follies, the fury of battles, of agonizing night-long searches, of despairs.  You cannot tell whether you are dancing with a man or a woman.  The dark tides of Eros, which demand full secrecy if they are to overflow the human soul, burst out during carnival like something long dammed up and raise the forms of strange primeval creatures—the perversions which are, I suppose, the psyche’s aliment—in forms which you would think belonged to the Brocken or to Eblis.  Now hidden satyr and maenad can rediscover each other and unite.  Yes, who can help but love carnival when in it all debts are paid, all crimes expiated or committed, all illicit desires sated—without guilt or premeditation, without the penalties which conscience or society exact?”

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January 2014

Goddesses in Everywoman and Gods in Everyman by Jean Shinoda Bolen  (1984 and 1989)

 Let me talk about Goddesses first.  This was the first of the two books written by Jungian psychoanalyst, Jean Shinoda Bolen.  As far as I’m concerned she really did “write the book” on female psychology.  Here is her premise, as I understand it.  Long long ago, early in the history of Mankind’s consciousness, was born the worship of one great mother-goddess, embodying all the traits peculiar to womankind.  As time passed and the patriarchal warrior societies grew from the earlier hunter-gatherer societies, this female deity was fractured into lesser goddesses, each embodying different aspects of the mother deity.

The author uses the goddesses of Greek mythology, although every society has its counterparts.  Thus we have Demeter, who most embodies the nurturing, maternal side of the female, Aphrodite, goddess of love and beauty, who embodies her transformative and creative aspects.  Artemis is the protector and defender of her sisters and of children–the archetypal feminist.  Hestia is the contemplative, spiritual manifestation, the nun, the ascetic.  Athena is the warrior maiden, upholder of the patriarchy, the valkyrie of myth, who gravitates to men of power.  Hera is the woman who finds greatest satisfaction in her role as wife, even taking precedence over her role as mother–Rose Kennedy, Nancy Reagan.  And Persephone, goddess of the underworld with a special relationship to her mother..

 Author Bolen classifies each type according to two elements:  their “quality of consciousness,”–are they goal-oriented or relationship-oriented; and the quality of their relationships with the men in their lives, and where that emphasis lies; and the nature of their relationships with everyone else.

 She groups Athena, Artemis, and Hestia in one group, calling them the “virgin goddesses”,  Women who fall in one of these three categories, she says, are focused and goal-oriented, deriving their greatest satisfaction from the attainment of these goals.  Demeter, Persephone, and Hera are “relationship-oriented”, she maintains, Hera with her husband, Demeter with her children, and Persephone with her mother.  Aphrodite she places in a category of her own, as, she says, the focus of this type of personality, while intense,  tends to change, and to be centered on whatever it is that interests her at the time.  It may be a lover or a creative endeavor but it absorbs her completely for the moment.

This is a very interesting book, and you will recognize your friends, your relatives, and yourself or your woman in the goddesses.  Reading this book may also give you insight into human behavior, for, as Joseph Campbell, and others, has stated, the origin of myth lies within the collective unconscious of humankind.

The second book, Gods in Everyman, was written later.  The basic premise is the same, however, since the author realizes, as we all do, that there are definite differences between man and woman, do not expect each god to have an exact counterpart among the goddesses.

While some of the reviews were harsh, equating her assessments with zodiac psychobabble, I do not agree.  If the subject intrigues you at all, and if you are interested in Jungian psychology, read them and form your own opinion.

 

 

December 2013

The Other Wise Man by Henry Van Dyke 1895

This is what is called a long short story.  The perfect piece to read when you have an hour or two to curl up in front of the fire, or when you are alone and reveling in your solitude, or before going to bed at night.  It is my favorite short story of all time.

In  Matthew  we  are told very little about the three mysterious visitors from out of “the East,” who came with gifts for the newly born Christ, then were gone, never to reappear.  Whether believer or skeptic, you will be haunted by the tale of the fourth wise man, who would have come but was delayed, and made the journey  alone.   Arriving  too late,  his path took a different direction and his  life  continued  inexorably on that path for thirty years, for he was one of those men who, “in whatever age they are born, are destined for a life of quest and inward conflict,” or words to that effect,

The  author  was  Henry  Van  Dyke, who  claimed that the story came to him in a dream and that he had never felt that it belonged to him.  But that is how the Muse works. It is through the arts that the world of the spirit is revealed and experienced.

As  dwellers  on  Wilder  Shores,   we will marvel at the words themselves and the power they have to evoke the long-ago and the far-away, and to bring the characters to life.  I’m sorry to say but I have been to both bookstores in my town, and to the library, and have not located even one copy of this most magical story, so I cannot quote from it directly.  I do,  however,  carry  with  me the picture, so vivid, of Artaban, the fire-worshipper, as he moved  about  his  room  of porphyry, which looked out upon the snow-capped peaks of the Zagros and Mount Orontes, where his fellow magi had gathered, and of how, one by one, each declined the journey, for this reason or that, until only four seekers remained.

I recommend that you read this little gem.  It is uplifting yet sorrowful and almost too beautiful to describe.  Just the thought of it nearly always moves me to tears.  Read it, please!

  

November 2013

Quo Vadis by Henryk Sienkiewicz 1896

Quo Vadis is definitely a book that will entrance dwellers on the Wilder Shores. It is a novel of ancient Rome, a setting steeped in sensuality.  It tells the story  of Lygeia, newly Christian, and her love, Marcus Vinicius, a Roman soldier of  patrician family.  The characters are drawn from both  reality and imagination.  Thus you will learn a little history (the appetite for knowledge and learning can be just as compelling as other appetites).

Basically it’s a love story with several sub-plots.  But it’s the highly evocative descriptions of what it may have been  like to have lived in ancient Rome, as well as the author’s skill in bringing to life the characters, and their commonality with us all in what we refer to  as  “the human condition” that sets the novel apart from the fray.

There have been several movies made.  You know what I always say–“See the movie first, then read the book.”  The one I saw was the one with Deborah Kerr and Robert Taylor, leading actors of their day (the Fifties).  I saw the movie when I was as yet a tabula razate child of six or seven, steeped in Catholic-school lore–martyrs and mystics, angels and saints,  stories of lands strange and exotic and far away.  My head was aswim in such ideas when I first saw the Emperor Nero (Peter Ustinov, and a perfect Nero he was), and Christians being thrown to the lions, and all the other things you expect in such a production.  It made an indelible impression.  I don’t know what my impression would be if I saw it today.

The book I read many years later, and, of course, was much more impressed.  The author, Henryk Sienkiewicz, received the Nobel Prize for Literature in 1905. It’s beautifully written and very moving at times.

October2013

Justine, by Lawrence Durrell, 1961

 Justine is the first book in the series popularly known as “The Alexandria Quartet.”All four books are difficult to review because in order to know exactly what is going on, it is necessary to read all four books in sequence, and then start over and read them once more.  And then you will still have doubts. This is not frustrating for those of us who live on those wilder shores of imagination where the experience of mystery and passion is more important than the demand for certainty and resolution.

These books are poetic in that what they “mean” matters less than how they make us feel, what emotions and images they evoke. Each is named for one of the principals in an array of complex and exotic characters that populate the pages of all four novels.

 Justine is, of course, beautiful, mysterious, “sensitive and sensual, self-torturing and passionate,” as the author describes her.  The book is dark yet intensely compelling.  It may be hard to “get into.”  I myself started it many years ago and put it down three or four times before I came under its spell.  Once that happens, readers find themselves drawn into the world of the novel, thinking about it, dreaming about it, and reading hungrily until the final book, Clea, comes to a close.  And then one must return from the glittering shores to “life’s leaden metal.”  It’s true, it’s true!  You won’t want it to end.  But it does.  Read  Justine.  See the movie first.  Then you will have a picture of the characters and the setting.  In fact, always see the movie first.

 September 2013

The Wilder Shores of Love by Lesley Blanch

Well, it seems only appropriate that the first book we talk about here is The Wilder Shores of Love, by Lesley Blanch, first recommended to me by a former professor, Dr. Karla Klausner, who taught me several classes in medieval and Middle Eastern history, and who has been more of an influence on my life than she knows.

 It is a comparatively short book—four mini-biographies of women of the West who “looked eastward” in search of fulfillment. They lived for love and realized the fullest expression of their feminine natures through a kind of oriental submission to that love. They were of a kind which is foreign to modern ideals, seeking neither achievement through work or career, nor public recognition.

As the author says, they lived on the brink of modernism, in “the fast-graying climate…where the twentieth-century disintegration of women, as such, was already foreshadowed.” And each was to find, “in the East, those glowing horizons of emotion and daring which were… vanishing from the West, to be replaced by “careers.”

I myself identify with this very strongly, as I have always been drawn in that direction by the love for complexity of design and vivid color that characterizes the arts of the East. Why, the only Halloween costume I remember was one I wore in third grade—a pink “harem girl” outfit with sheer pantaloons and veil and a sequined vest. I felt quite the glamorous nymphet, I can tell you. It lit a spark which has never been extinguished. Then, in later years came the belly dancing, the seminars, the parties, the Persian rugs, the Middle Eastern studies and the Middle Eastern food, And lastly, my next cookbook, 1001 Arabian Lovebites.

 But back to The Wilder Shores of Love. It is a beautifully written book which you probably won’t be able to put down and is filled with true accounts of happenings and characters which will take your breath away.

The women are Isabel Burton, the wife of the great oriental scholar and adventurer, Sir Richard Burton; Jane Digby, Lady Ellenborough, the beautiful, high-spirited adventuress who lived her life fully and scandalously, cutting a romantic swath through Europe toward her destiny as the wife of a Bedouin chieftain in the Syrian desert; Aimee duBuque de Rivery, cousin of the future Empress Josephine, kidnapped on her way home from France to Martinique by Algerian pirates and given as a present to the Sultan. She became the mother of the future Sultan, no small accomplishment. The last is Isabelle Eberhardt, the Russian mystic and intellectual, who is the most compelling and tragic of the four. Read this book. You’ll love it, I promise.

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